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“A Complete Unknown” is Only Concerned With Dylan’s Sound, Not His Circumstance
“A Real Pain” Understands Grief as a Constant Currency for Intimacy
“Memoir of a Snail” Is a Slow Spiral Into Despair
“Conclave” is a Pulpy Drama of Biblical Proportion
Is "Anora" Uncritical or Disinterested?
The Unconditional Empathy of “To a Land Unknown”
“Rumors”: Mundanity as a Means to an End
“Joker: Folie à Deux” is a Self-Destructive Revision of Its Predecessor
“Megalopolis”: We Should Never Lose Faith in Our Future
We Don’t Even Have the Vocabulary to Discuss “The Substance”
"Civil War" Uses Journalism as a Mechanism for Abstaining
"Kinds of Kindness": Care Propagates Cruelty
“Longlegs” is a Terrifying Journey with a Tacky Execution
“The Bikeriders”: Melancholic Masculinity
“Late Night with the Devil” is an Unintended Cry For Help
“Challengers” is a Dialogue Between Desire and Purpose
“Monkey Man” is an Adrenaline-Pumped Act of Defiance
"Dune: Part Two" is Triumphant Yet Timid
“Mean Girls” & the Culture of Remaking, Rebooting, and Revising
"American Fiction" is a Comedy of Contradiction
"The Zone of Interest" Challenges the Language of Cinema
"Maestro" Disrespects the Man It Claims to Honor